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The Virgin Adoring Child
Painting ID:: 10008
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Sandro Botticelli
The Virgin Adoring Child
c.1480-1490
Tempera on panel
National Gallery
of Art, Washington
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Primavera
Painting ID:: 10009
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Sandro Botticelli
Primavera
c.1482
Tempera on panel
Galleria degli Uffizi
Florence, Italy
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Virgin and Child Enthroned between Saint John the Baptist and Saint John the Evangelist
Painting ID:: 10010
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Sandro Botticelli
Virgin and Child Enthroned between Saint John the Baptist and Saint John the Evangelist
1484.
Tempera on panel.
Staatliche Museen
Preubischer Kulturbesitz
Gemaldegalerie, Berlin
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Venus and the Three Graces presenting Gifts to Young Woman
Painting ID:: 10011
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Sandro Botticelli
Venus and the Three Graces presenting Gifts to Young Woman
1484-1486.
Fresco, transferred
to canvas. Louvre
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A Young Man being introduced to the Seven Liberal Arts
Painting ID:: 10012
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Sandro Botticelli
A Young Man being introduced to the Seven Liberal Arts
c.1484-1486.
Fresco, transferred
to canvas. Louvre,
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Sandro Botticelli
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Italian Early Renaissance Painter, 1445-1510
Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s |
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| hersent | KINSOEN, Francois Joseph | Nancy Fay | |
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